Mab.ko’s practice is rooted in research on a personal vocabulary, composed of different patterns and archetypal forms. She follows a two-dimensional working protocol in which drawing is the fundamental medium. It engages in a systematic, ritualistic approach where each design research results in a collection of illustrations. Her body of work mainly takes shape in multiple series of three-dimensional objects, from micro-scale totems to more domestic and large, freestanding sculptures. These objects are both the apparatus and the artwork itself, linked to a reminiscence of sacredness.
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