Statement Profile GlogauAIR Project CV Summary

Statement

Through a variety of media my work explores the tensions between fiction and reality, memory, trauma and identity. Rather than shedding light to it, I seek to explore the dark spaces that coexist between the intimate and public spheres, addressing themes of love, loss, femininity and violence.

Drawing from intimate experiences and family histories, I seek to intertwine memory processes with collective and plural narratives, unraveling the complexities of power dynamics in the subjectification of the individual. Community not only serves as a foundation in this process but also as a driving force, involving artists and diverse groups through mediums such as painting, sculpture, performance, and video.

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GlogauAIR Project

Installation that features a series of porcelain lithophanes showcasing personal images from the artist’s archive. Lithophanes involve delicately carving or molding thin porcelain sheets to varied thicknesses, resulting in exquisite translucent pieces that, when backlit, reveal intricate designs.

This project aims to delve into memory processes and archiving, building upon the artist’s previous work titled Dinner Table. While historically, lithophanes often featured conventional and sentimental domestic scenes, this project seeks to explore a nuanced approach to these nostalgic images.

Originating in France in the 1820s and popularized by Germany, particularly by the Prussian Königliche Porzellan-Manufaktur (KPM) in Berlin, these “Berlin transparencies” offer a rich historical context for the exploration of light, memory, and materiality in art.

CV Summary

AWARDS & RECOGNITIONS

2024 PNAB Circuito Catarinense de Cultura Award (Brazil)

Project Orientation Program with artist Regina Parra

Project Development Program at Centro Cultural Veras (Brazil)

GlogauAIR online residency (Germany)

2023 Selected at Viafarini-in-Residence program (Italy)

Official selection at The Dance Museum (Sweden)

2022 Best Choreography nominee at Exeter Film Festival (England)

Semi-finalist at FIVC Dancefilm Festival (Chile)

2021 Aldir Blanc Prize for “Chororô” and “EXIT” (Brazil)

REDIV: Honorable Mention (Ibero-American Dancefilm Festival)

EDUCATION

2008 Initiated bachelor degree at UDESC (Brazil).

Volunteer researcher and co-author on academic publication.

2010 Academic exchange at the Faculty of Fine Arts in Barcelona (Spain).

2015 Bachelor in Fine Arts from the University of Barcelona (Spain).

EXHIBITIONS (GROUP SHOWS)

2009 Official Selection at Video Art Exhibition at the Museum of Modern Art of Rio de Janeiro (MAM) (Brazil).

2010 “Reprodutíveis” Fundação Cultural Badesc (Brazil).

2012 “Atraco a mano alzada” a collaboration between the University of Barcelona and the Museo Nacional de Arte de Catalunya MNAC (Spain).

2013/15 “sensa títol” selected twice for the annual exhibition at the University of Barcelona (Spain).

2021 Official selection at festivals: Dancinema (USA), Melrose Film Festival (USA), Festival Híbrido (Brazil), Cámara Corporizada (Argentina) and IMARP (France and Spain).

2022 Official selection festivals: Jacksonville Dance-Film Festival (USA), Cultu’Halle Film Festival (Switzerland), Cuerpo Mediado (Argentina), PINUS (Brazil), Rogue Dancer (USA), EDIFF (England), FIVC (Chile).

2023 Official selection at NY/BA (USA and Argentina), HipHop Cinefest (Italy), ScreenDance (Sweden).

Participated in the Open Studio show at Viafarini and at Spazio Xenia (Italy).

2024 Centro Cultural Veras, Group Show (Brazil)

Virtual Open Studio GlogauAIR (Germany)

PUBLICATIONS & INTERVIEWS

REDIV: IBEROAMERICAN DANCEFILM PRIZE

2022 | Online interview on Argentina’s Dance Week available at: https://www.youtube.com/watch?v=jDMEk__5Hds

TELEVISIÓN PUBLICA ARGENTINA

2019 | Tango Showcase on TV (Argentina).

CLARÍN

2017 | Interview for article Tango for Export (Argentina).

FRAGMENTOS CONSTRUÇÃO

2013 | Co-author of the book on the work of the Brazilian artist, Luiz Henrique Schwanke (Fragmentos – Construção II: imagem – acontecimento / Rosângela Miranda Cherem and Sandra Makowiecky, Florianópolis: COAN, 2013).