The work process arises by merging different areas such as drawing, sculpture, photography and painting. In this way, the different fields interconnect in an exploration of plastic and visual languages capable of initiating a creative process and later, culminating in a tridimensional object.
By collecting information and visual references as a processual basis, it is possible to observe the search for this commonality, the search to redefine isolated contexts in the face of personal experiences, turning them into a Whole. Something inherent to all places is visual chaos, identified and demonstrated in the aesthetic of the work in a way of implementing a sense of control, imposed by the manipulation of perception and the resizing of the desired focus.
In-depth focus is the decontextualisation of the detail. The Detail becomes the whole perspective, with no surrounding environment, no references that allow it to be framed. As a result, the detail is transmuted into a totality through isolation.
A parallelism is created between identity and the compositional representation of individual perception in a project.
The object is a culmination and not a representation.
