My work stems from the need to be able to capture density and texture, in a way that fuses techniques, seeking three-dimensionality with a sensation of weight and rigidity that absorbs the viewer and allows them to have different views of the work, not just a linear one, but to explore these textures from different angles.
I seek to “enter the abyss”, an emotional space, filled in dichotomies e.g. from emptiness/ fullness, linear/ non-linear perspectives, to meditation/confrontation through painting and sculpture. Recently my work develops narratives that go beyond the oneness, like collective and historical trauma, for example family and heritage, ecocidal dichotomy, anthropocentrism, and coloniality.