Beginning on the first floor, Michael Reiley McDermott has created a sonic dreamspace called Echozoo. Jin Wang makes politically charged new video works that draw parallels between Germany´s past and China today. Work by Ainhoa Salas uses mesmerizing loops, fascination, and sensationalism to capture our attention. Yusuke Wakata has produced works that combine historical research with a meticulous process intended to alter fixed ideas that are derived from our unconscious. Zhiwan Cheung presents a series of multi-channel video works playing in synchrony.

Traveling upstairs to the second floor studios, Greg Kappes daringly combines water and electronics, normally a taboo, proposing a new way of viewing technology as part of our natural environment. With his new work, Kopfsteinpflaster, Guillermo Moreno Mirallas refers to and reinterprets the cobblestone streets, a ubiquitous element that creates our unconscious mental understanding of the city. Aaron Daem explores process with his open studio where, on a daily basis, he worked on an evaluation of the room where he worked, lived, and slept, and prolifically created. In Marijn Roos Lindgreen’s studio you will see aspects of the process that led to her creating Becoming Plastic for the garden. In newly produced work here in Berlin, Liu Jiahong explores the historical and rational city and observations of similarities to her home country of China.

Keep an eye out for works by Sara Agudo Millan, who makes site-specific interventions throughout the building as well as Wu Wei’s objects created from paper that are furry, seemingly alive and twisted into strange shapes captured in metal cages, wire, and chains.