Arta Delharte emerges in Year 30 After Internet (A.I.), situating their practice in a post-digital era where technological narratives reshape the foundations of meaning. Based in Madrid, Delharte is a Spanish artist who studied at the University of Castilla-La Mancha in the city of Cuenca. Their body of work unfolds as an interdisciplinary, appropriationist, and conceptual practice, rooted in the pictorial yet constantly interrogating its limits.

Delharte examines the blind spots of a sector that promotes progressive values while remaining tethered to the dynamics of the market. Through a practice situated at the intersection of the pictorial and the digital, Delharte addresses themes such as the instability of meaning in language, regimes of permanent connectivity, societal collapse, and speed.

During her residency, she is continuing to develop Collecting Walls, a pictorial project that explores ways of looking at residue and the passage of time. In this context, painting appears as residue—a trace of a language preceding semantic domestication. In this process, error, interference, and discontinuity operate as critical strategies of resistance against the inertia of visual culture. Delharte’s work challenges the viewer’s perceptual comfort, favoring tension over harmony, and unresolved gestures over fixed interpretations.