Daniela Federighi is a Brazilian visual artist whose work explores encounters in everyday life. Her attentive observation of the surrounding world focuses on spatiality and landscapes, tying these to her lived experiences while also flirting with fable, constructed atmospheres, and narrative.

Throughout her walks, she documents what she calls “scenes”: a pair of abandoned shoes, the sound of rain on a plastic awning, a beam of light cutting through a house, suits being sold by the canal, ladders leading nowhere, walls resembling paintings. Alongside this, she collects ordinary and found materials with constructive or poetic potential.

Photography is usually her primary manner of collection, but the work also unfolds through video, drawing, sculpture, collage, and assemblage, connecting analog and digital media into a visual- material, non-linear diary. Images and materials are revisited in search of coincidences, narrative threads, and contrasts, especially when manipulated, displaced, and juxtaposed.

At GlogauAIR she engages with Berlin intuitively, like someone flirting without hurry. The notion of travel structures her process, allowing questions of distance, dislocation, and home to quietly unfold. During this period, she gathers elements from this context abroad, drawn not only to the new environment but also to the strangeness of a foreign language, so that the work itself becomes an echo of what she lived here.