cheyenne hendrickson holds an MFA in Photography and Expanded Media from Georgia State University. Her work has been exhibited internationally, including at the Smithsonian's Hirshhorn Museum, MINU Festival for Expanded Music, and The Goat Farm, with residencies at Sound Art Lab, SÍM, and GlogauAIR. Working across installation, sound, sculpture, and video, her practice explores the human body through intuitive, phenomenological, and sonic inquiry.

hendrickson works in the in-between, the fluid, membranous space where inside and outside remain in negotiation. Drawing on Pauline Oliveros's Deep Listening, Drew Leder's concept of dys-appearance, and the vibrational mythologies of radionics, she investigates the unseen visceral worlds carried within the body. Her inspiration is deeply personal: a genetic predisposition to tumors has led her to approach the body not through fear, but through listening.

Her research begins somatically, listening to and through the body before any material is made. At GlogauAIR, she is developing a sonic installation and EP exploring the relationship between the body's genetic code and its biological language, investigating how we might come to understand our internal worlds through their sounding bodies and genetic sonic memory. Are tumors a direct point of contact with our ancestors, a shared experience across time? She is building a temenos, an interior space that opens us up more to what the body might be sharing with us.