Moksha Richards holds a BFA in Fine art from the Royal Melbourne Institute of Technology, Australia. Her work has been exhibited in Australia and internationally including galleries in Tokyo, Prague, Bucharest and Berlin.

Through drawing and sculpture, Moksha interconnects concepts from theoretical physics, spirituality, mathematics, technology, and ancient history. Influenced by theories of deep time and the material (atomic) expression of consciousness, the ecological resources of technology and the redistribution of all matter into the cosmic commonwealth. Research acts as a genesis while the formation of the work remains relatively immediate, material and direct.

Her materials are chosen from intuitive attraction. They are often non- traditional art materials which remain virtually unprocessed, or products of greater systems of industry and infrastructure.

Recent sculptures are shaped by an interest in making work with the invisible forces of the universe such as magnetism and an ongoing curiosity into the storage of information in matter. While drawing works were made within the conceptual frameworks of theoretical physics and Eastern philosophy, particularly as explored in Fritjof Capra’s The Tao of Physics, which demonstrates the parallels between both schools of thought in recognizing time as non-linear and reality as fundamentally relational.